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Portfolio
Liam S.E. Mullen

Index: (in order of appearance)
anyone still awake, 2022/2024
krash symbol, 2022
Tuning to “The Voice of Canada” [...], 2022
one beer job (Pail Ales), 2023 -
Untitled (Authority Figure), 2023 - 
Fielding, 2021*
Cadence, 2021*
Castration Fear (from “Feeling What Can’t Be Touched”), 2020
Phantom Limb (from “Feeling What Can’t Be Touched”), 2020 
Juice / Where Wet Dreams Come True and I never dreamed it would be like this (from “Return to Centre”), 2025
Swimming Lessons, 2021*
Ter[m]a hirundo: An Improper Address Twice, and Once Over, 2024
Preface, 2021*
Review: Gareth Long and Meech Boakye, “Less”
at Susan Hobbs Gallery 
Review: Living and Listening with Others: The Gospel According
to the Organ


*for descriptions of work, and excerpts of time-based pieces,  “click” the images to be re-directed to their respective pages*




Tuning to "The Voice of Canada" [...], 2022. detail (top), installation view (below). Tuning to "The Voice of Canada" [...], 2022. found image, ephemera. Phantom Limb, 2020. (a selection from "Feeling What Can't Be Touched"). Castration Fear, 2020. (a selection from "Feeling What Can't Be Touched"). Cadence, 2021. audio composition. Fielding, 2021. score for radio-based composition. krash symbol, 2022. found image diptych. one beer job, 2023. installation view. anyone still awake?, 2022/2024. detail. Swimming Lessons, 2021. moving-image still. Ter[m]a hirundo: An Improper Address Twice, and Once Over, 2024. installation view. Preface, 2021. ambient, sonic composition. Untitled (Authority Figure), 2024. installation view. Juice / Where Wet Dreams Come True and I never dreamed it would be like this, 2025 (from "Return to Centre"), detail view. Review: Gareth Long and Meech Boakye, "Less" at Susan Hobbs Gallery, Toronto, Canada. Review: Living and Listening with Others: The Gospel According to the Organ