Installation view: Juice / Where Wet Dreams Come True and I never dreamed it would be like this / (...)those who suffered with them. / the same flying / Hickey / Love bite / For us. Yes, you too., 2025plywood, loudspeakers, Rust™,Smash Potato™, Wine Gums™, Miss Piggy™, Hope™
Installation view: if you are out of doors / Mums, 2025 CRT monitor, moving image (.GIF)
Detail view: Juice / Where Wet Dreams Come True and I never dreamed it would be like this, 2025plywood, loudspeaker, Cocktail™️, Industriilor™️
Exhibition: Return to Centre, 2025
The exhibition mounts a modular apparatus bearing 7-speakers, made in the likeness of batboxes, that form a discursive listening-system. Collaborating with UCL People and Nature Lab’s spatial and ultrasonic data gathered from their recording array installed throughout Queen Elizabeth Olympic Park, the work transposes the migration patterns and ultrasonic vocalizations of bats to emulate their unique practices of sensing (which is to say: “sense-making”) and relating. Through publics’ collective, and dividual listening, the work seeks to generate new and surprising understandings of our spatial and ecological relationships to others.
Special thanks to: UCL’s Department of Public Anthropology whose formative conversations and advice gave shape to the show’s development; and the UCL People and Nature Lab for allowing me to collaborate with a sampling of their work at UCL East.
The exhibition mounts a modular apparatus bearing 7-speakers, made in the likeness of batboxes, that form a discursive listening-system. Collaborating with UCL People and Nature Lab’s spatial and ultrasonic data gathered from their recording array installed throughout Queen Elizabeth Olympic Park, the work transposes the migration patterns and ultrasonic vocalizations of bats to emulate their unique practices of sensing (which is to say: “sense-making”) and relating. Through publics’ collective, and dividual listening, the work seeks to generate new and surprising understandings of our spatial and ecological relationships to others.
Special thanks to: UCL’s Department of Public Anthropology whose formative conversations and advice gave shape to the show’s development; and the UCL People and Nature Lab for allowing me to collaborate with a sampling of their work at UCL East.